| The story of Peau d'Ange is really the exploration of the lives
of its two leads and the strange relationship that ensues form their one-night stand, as
the script explores the destiny of the two characters. There is a bit of a slow start, as
the characters and situation are put in place, but eventually the narrative becomes
engaging, turning a rather simple story into a sentimental, delicate melodrama. First-time director Perez (best known for his acting in such films as Indochine and Cyrano de Bergerac) acquits himself quite well, showing a good control of his actors and of plotting. Though probably intentional, the narrative is a little jerky at times, quick-cutting to different time frames which makes it all feel a little odd. Apart from Perez's obvious eye for photography (which comes across through some nice, even poetic, imagery), the success of the film lies in the capable hands of his lead actress. Indeed, Moré is a revelation, coming off as shy and naive on one side and enigmatic and saintly on the other, her performance as a simple girl devoted to a man she has barely seen and one she barely knows is delicate and believable. However, though his role does ask him to play the cad, Depardieu is never either convincing nor is he ever sympathetic though we are supposed to feel for the loss of his mother and his eventual redemption. In the end, Peau d'Ange is a nice, intimate little film that shows promise for its director.
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